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"Shiwan art does not stand apart from the common people, as do many works from the better known kilns of Dehua and Jingdezhen, as perfected sytylized intellectual objects. Possibly that is one reason why the Shiwan products have rarely been appreciated by the scholars and intelligentsia. Perhaps this deficit can be rectified by accepting the work for what it is rather than be invidious comparisons against classical art. It speaks its own message and that is unique"

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Author Topic: Jan-Erik Nilsson's Visit To Old Nanfeng Kiln  (Read 84 times)

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GeorgeI

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Jan-Erik Nilsson's Visit To Old Nanfeng Kiln
« on: February 03, 2021, 05:01:22 am »
Great reading, following Jan-Erik's 2006 visit to the old Nanfeng Dragon Kiln.

A Visit to the old Nanfeng kiln in Shiwan, Fushan city near Guangzhou,in 2006




This is how a dragon kiln looks like today.



The oldest and most important of the extant historical Shiwan kilns are actually two, built along the slope of the same small hill.



The firing pit of the High Kiln, Shiwan. Now burnt out and cold.



Side view if the Shiwan late Ming period dragon kiln, the "High Kiln".
George

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